Enemy (Denis Villeneuve, 2014)


Jake Gyllenhaal gives not one but two impressive if quiet performances in this evocative film that manages to feel simultaneously high concept and yet also strangely small – at about 90 minutes, the last thing Enemy is is baggy. With its subject matter of doppelgängers and mysterious keys, there is an unmissable Mulholland Driveconnection which, much like its predecessor, provides an easy enough interpretation for those who don’t much like to think and will only watch it once, with enough questions left unanswered for those who will want to return a few times more. I imagine when I watch it a third time, this will up from a 3.5 to a 4 star rating as I uncover more of this pleasingly unpretentious example of 21st century surreal cinema.



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