Heaven Adores You (Nickolas Dylan Rossi, 2014)

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Heaven Adores You is without a doubt a charming, beautiful and emotive tribute to the music of Elliott Smith and the effect and affect it had on those who knew him and those who didn’t. However, as others have criticised as well, its narrative contains certain glaring omissions and perhaps too strong an investment in claiming him as Portland’s own (one cannot help but feel the film itself becomes a little resentful and loses a certain amount of interest when it reaches Smith’s exodus first to New York City and then Los Angeles). Clearly the filmmakers were not as privileged in terms of access to the cornucopia of primary source material as those behind Cobain: Montage of Heck (and the comparisons will be abundant) were.

Still, this does mean that Heaven Adores You provides the viewer with a much clearer insight into Smith’s Portland years, both solo and as a member of Heatmiser, than I personally had previously. The way the sound editing transitions between often amateur-shot live footage and album recordings and the introspective, psychogeographic relationship the film has with both the urban and rural landscapes that were the backdrops to Smith’s creativity makes Heaven Adores You an engaging and appropriately sentimental appreciation of one of the most unique and profound singer-songwriters of our time.

***1/2

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