Industrial Soundtrack For the Urban Decay (Amélie Ravalec, 2015)

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I was really looking forward to this. The title suggested that I was going to be in for some psychogeographical complement between the sounds of the industrial scene and Herzogian documentary-style footage of estates and ghostly urban sprawl, like a contemporary reimagining of Einstürzende Neubauten’s “Halbe Mensch” and instead I watched a surface-level talking head fest with less information than BBC Four’s 2009 program Synth Britannia.

Covering almost exclusively the mot accessible and synthpoppy elements of Industrial, with massive gaping holes as far as artists like Nurse With Wound, Coil, Whitehouse and Merzbow are concerned, Industrial Soundtrack For the Urban Decayteaches you nothing new, but at least seeing it at the cinema gives you the opportunity to hear some Throbbing Gristle and SPK played on louder speakers than you probably own at home. This fact becomes all too abundant, however, thanks to the shoddy mixing job and poor quality of the sound recording equipment, resulting in many of the interviews getting drowned out by music many of us have heard before.

However, given that the interviews are nothing but musicians making incredibly bold Great Man Theory statements, all claiming to be the first musicians of discord, first practitioners of sampling techniques, selectively forgetting futurism, free jazz and musique concrète as just three examples, we aren’t missing all that much.

At 52 minutes, Industrial Soundtrack For the Urban Decay is a short, pretentious and dramatically wanting affair, salvaged only somewhat by the quality of its primary source material, which will itself be entirely familiar to a solid 90% of its audience anyway.

**

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