As Above, So Below (Jon Erick Dowdle, 2014)

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As Above, So Below actually has quite a few things going for it. First things first: it’s a treasure-hunting adventure movie in the vein of Tomb Raider, National Treasure or perhaps most appropriately, Les Adventures Extraordinaires d’Adèle Blanc Sec done as a horror film, and manages to avoid pretty much all obvious references to films such as The Mummy and The Relic. Also, something that’s always rather important for the found-footage sub-genre, explanation for the constant filming is handled pretty well. Perhaps the most important distinction between As Above, So Below and a great many other horror films (or films, just generally) is the fact that it manages to establish every character as likeable and worthy of your attention and care for when they come to a sticky end. That’s a pretty winning formula, especially when you have a genuinely interesting premise thrown into the mix.

But good god, the ending. I’m going to avoid spoilers here, but the ending really is a brilliant explanation as to why so many writers like Arthur Conan Doyle made a habit of writing their stories backwards: a great and reasonably original first and second act does not necessarily guarantee your story will simply evolve into a great and original third. Sadly, As Above, So Below does come across as a pretty classic example of what happens when you have a bunch of good ideas, with no plan. I understand why many would simply write off the film on this basis (and, goodness knows, many have) but, just as good sex is not centred around the orgasm, perhaps a good film should not be centred around the ending, so I still enjoyed this film enough to give it a 3 star rating, and do feel really rather tempted to give it another half, out of admiration for its spirit.

There are a couple of funny flubs before the ending, but ones that I personally believe add to its charm (George translating an Aramaic script directly into a quaint AABB rhyme for instance) – whilst I certainly don’t consider it to be as good as other found-footage horrors like [REC] or The Last Exorcism I found this film a great late-night watch and I’m pretty positive I’ll do so again.

***

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