The Nice Guys (Shane Black, 2016)

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The Nice Guys is a genuinely enjoyable action comedy neo-noir which is tragically let down by the fact that the combination of director, cast, setting, premise and plot puts the films LA Confidential, Kiss Kiss Bang Bang, Boogie Nights and Inherent Vice so firmly in one’s head as to make them irremovable and, sadly, they are all much better and much more memorable films than The Nice Guys ever was going to be. There are some great moments and child actor Angourie Rice, playing the Penny to Gosling’s Inspector Gadget is in my opinion the film’s secret weapon in mixing comedy with charm, but held in particular against Kiss Kiss Bang Bang, its flaws do shine through. For one, The Nice Guys dwells for too long on the “buddy movie” angle, which inevitably blunts its neo-noir edge. This is a real shame, when the charming implausibility of the central conspiracy, if finessed and explored further might well have made this a real contender in this slowly expanding sub-sub(?)-genre. Instead, by spending too much time following the leads, despite the scene-stealing support, The Nice Guys comes across as a little too economically conscious as it sacrifices story for stars, thus leaving the impression that lightning very rarely strikes twice. It can hit reasonably close, though.

***

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