The thing about works of “lyrical film,” such as Brakhage’s is that the artist’s ideology can be understood in many ways to permeate the film to an extent often far surpassing the majority of mainstream cinema’s most recognisable auteurs. Cat’s Cradle is by no means an exception to this rule. Brakhage was, without a doubt, one of the most formally and aesthetically accomplished key figures in the world of artist’s film throughout the entire latter half of the 20th Century and, goodness knows, when his striving to open the door to a cornucopia of visual experiences, as far removed from ideology as cinematically possibly was successful, it was really successful. However, there are also nigh-countless examples of him almost bizarrely making use of archetypal signifiers that act in total accord with the standard symbolic order. Thus, Brakhage may earnestly believe that Cat’s Cradle is an example of “sexual witchcraft involving two couples and a ‘medium’ cat,” but what appears before us is two women, doing womanly duties, and two men lounging around, smoking. The only things missing are a couple of martinis and pairs of slippers.
Thus, although Carolee Schneemann does specifically point toWindow Water Baby Moving as the film against which her ownFuses can be said to fight back, it would seem highly remiss not to mention Cat’s Cradle, not least of all because it involves Stan, Jane, Carolee, James and Kitch the Cat – the latter 3 all having starring roles in Fuses. Window Water Baby Moving assuredly is problematic in taking a film of Jane giving birth and successfully making it all about Stan, it is Cat’s Cradle that so clearly assigns men and women traditional, hetero-patriarchal roles, with which Carolee and James look particularly uncomfortable.
The formal elements of the film, from the red glow to the rapid, chaotic juxtapositions and visual dialogue from gaze to gaze is as beautiful as it is impressive – enough to gain it 3 stars in my estimation – but, with regard to the “sexual witchcraft” remit, it ultimately fails.